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People gather in a room where coloured fabric lines the floor

Artwork by J Neve Harrington as part of How Does It Feel?, Fierce Festival 2024. Photo: Manuel Vason

Surrender

performance, possession + automation and various artists

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Details

When?

Wed 22 Oct 2025
12–5pm

Where?

The Warehouse in Holbeck
Crosby Street, Holbeck, Leeds LS11 9RQ

What?

Performance, Conversation

Prices

Pay What You Can £2–£35
Recommended price £15
Plus booking fees

In this one-off event an exciting line up of artists explore what happens when they surrender themselves to forces they don't control – to the rigours of technique, to an inescapable rhythm, to a secret code, or by tuning in to other powers.

Expect a day of playful experiment and serious entertainment, with food and conversation.

Bradford born & based chef, artist and creative producer Sonia Sandhu will be serving a shared lunch which traces the themes of surrender through her menu – surrendering to the influence of heritage, to the power of time and processes that evolve through fermentation, pickling and slow cooking.

Across the afternoon, see performances unfold throughout the space.

How does it feel to surrender together?

Schedule

12–1.30pm Performances
1.30–2.30pm Lunch
2.30–5pm Performances
5–6pm Bar open

Tickets are Pay What You Can and include lunch and refreshments.

Line up: Åbäke; Gillian Dyson; Tara Fatehi; Eisa Jocson and Venuri Perera; Samir Kennedy and Sean Murray; Samra Mayanja and Kathy Gray; POPPERFACE and Richard Pye; Imogen Reeve & Co.; Sonia Sandhu; Nicola Singh; Eve Stainton and Florence Peake.

Read more about the artists below.

About the line up

Åbäke

Fifty words to fairly define twenty years of activities is a truly challenging affair. Solicited or not short self-written biographies predate selfies but somehow follow similar rules of editing a version of oneself until we start to look very attractive indeed. We would start by saying that åbäke is a

Gillian Dyson is a Yorkshire-based solo and collaborative performance artist, academic and teacher. Dyson has over 30 years’ experience of performing and exhibiting nationally and internationally, including performing recently in the International Forum of Performance, Dráma, Greece, 2024; a collaborative online performance for Together Elsewhere: Performance Art Network Switzerland, Performance Art Bergan, 2025, and participating with the Parlour Collective, in the prestigious Kone Foundation/Saari Residence in Mynämäki, Finland 2025.

Tara Fatehi works across performance, voice, movement and text, exploring playfulness, mistranslation, and confusion in times of collapse. She is the co-founder of From the Lips to the Moon music and poetry show, creator and author of Mishandled Archive (365 performances and a book LADA, 2020) and the first ever resident artist at the UN Archives in Geneva.

Samir Kennedy and Sean Murray are ‘a pair of faggots and fools’ brought together by a mutual interest in the filthy and the glamorous, the pathetic and the perverse.

Samir Kennedy is an interdisciplinary artist based between London and Marseille, working across choreography, performance, sound, and video. He explores themes of class, race, queerness, and abjection through archetypal figures like the devil and clown, creating speculative narratives that challenge conventional identities.

Sean Murray is a UK-based artist whose practice centres dance, cabaret, design, and performance. Their work plays on queerness, abstraction, camp, excess, and the absurd, engaging with instability and uncertainty while deconstructing and reforming structures.

Samra Mayanja is a London-based artist and writer. She’s interested in the voice; that part of the body that leaves us and the absurdity of seeking what is inherently lost, ‘a clown-like pursuit of the impossible’. She has performed and exhibited nationally and internationally in galleries and theatres, including Cambridge Junction, The Oval, Somerset House, Kampnagel and Transmediale.

Imogen Reeve is a choreographer working at the intersection of dance, technology, and feminist thought. Her work radically reimagines the relationship between bodies and machines, creating performances and systems in which humans and artificial intelligences co-create. Rooted in feminist perspective, her practice interrogates the biases embedded in emerging technologies and repositions the body as a site of resistance, intelligence, and transformation.

Eve Stainton is an artist and choreographer born in Manchester, living in London, UK. They create dramatic multi-disciplinary performances that involve movement, live welding, digital collage, manual labour and ways of constructing suspense. Their research is rooted in community, interested in how differently marginalised people come into relationship with power structures and societal conventions. Often working with codes of gender, class and threat.

Florence Peake is a London-based artist who has been making solo and group performance works intertwined with an extensive visual art practice since 1995, presenting work internationally and across the UK in galleries, theatres and the public realm. By encouraging chaotic relationships between the body and material, Peake creates radical and outlandish performances, which in turn generate temporary alliances and micro-communities within the audience.

POPPERFACE disrupts traditional choreographic methodologies, creating performances deeply rooted in working-class experience, queer masculinity, and radical individualism. His practice draws inspiration from MMA, Butoh, horror cinema and opera. His work has been presented internationally in Tel Aviv, Berlin, Melbourne, and Vienna. In 2021, he served as Associate Director for Welsh National Opera and was a Jerwood Fellow. The first instalment of his POPPERFACE trilogy, REVENGE, premiered at Chapter Arts and The Place in 2022 and is set to tour the UK in 2026.

Nicola Singh is a British-Punjabi artist working across improvisational new music, visual art and somatics. Her current research explores esoteric sonic practices. She is currently training in Dhrupad with Pandit Uday Bhawalkar.

Eisa Jocson is an interdisciplinary artist based in La Union, Philippines. Trained as a visual artist with a background in ballet, she came to contemporary dance through pole dancing. Her work explores body politics in the service and entertainment industry as seen through the socioeconomic lens of the Philippines. She studies how the body moves and what conditions make it move – be it social mobility or movement through migrant work.

Venuri Perera is an independent artist, curator and educator from Colombo. Exploring the power dynamics of visibility and opacity, she embodies strategies to destabilize and disorient how we perceive the ‘other.’ Her solo and collaborative works deal with violent nationalism, patriarchy, immigration, colonial heritage, class, and have been invited to festivals/symposia since 2008.

Sonia Sandhu is a Bradford born & based chef, artist and creative producer. Her plant forward menus are thoughtfully prepared, seasonal and vibrant. Inspired by food from her Indian heritage and global travels, storytelling and connection through food informs her creative practice. She is the co-director of Edible Archives CIC – an emerging arts organisation specialising in multisensorial art installations.

Sonia will be serving a shared lunch which traces the arc of surrender through her cooking process and ingredients. Expect a colourful buffet of bold flavours, slow-cooked care and a few delicious surprises. All the food will be vegan with gluten free options.

Your Experience

What to expect

This is a day-long performance event in a warehouse space where audiences are welcome to come and go as they please. There will be various performances throughout the day which will take place across the space, some of which will be durational. Audiences will be encouraged to move through the space as performances happen simultaneously in different locations. Audiences are strongly encouraged to wear warm clothing.

One performance includes nudity.

Lunch will be provided, with vegan and gluten-free options. Please let us know of any allergies, intolerances or dietary requirements by emailing Sydney at [email protected]

Clothing

We advise you to wrap up warm and wear extra layers as the performance is taking place in a warehouse setting.

Duration

300 mins

Age guidance

16+

Language

English

Content guidance

One performance involves nudity. More detailed content guidance will be available at the event.

Getting here

If you’re driving, there’s on-street parking available on Ingram Road. Please note that the other surrounding streets are residents-only. Blue badge holders are welcome to park on Crosby Street.

The venue encourages you to use public transport, cycle, walk or wheel wherever possible. You will be able to store any bicycles inside the venue. The closest bus stop is called Holbeck – Pleasant Place on Domestic Street, which is 5 minutes walk from the venue. Routes 55, 55C 65, 75, 86, 87 and R1 stop and collect from the stop.

Access information

Step free access

There is step free access to the event and there is an accessible toilet at the venue.

Seating

A range of seating will be available including high-backed chairs, cushions and beanbags.

Rest area

A rest area is available.

Open door policy

Transform has an open door policy which means that, if for access reasons you need to exit the theatre at any point, you can return when you’re ready.

More information

Head to Transform’s Access page for more information.

If you have specific requirements or questions about access, please fill out our Access form or contact Brad Welch at [email protected] and let us know how we can help you.

Credits

Co-curated by Orlagh Woods and Transform.

performance, possession + automation is funded by the Arts and Humanities Research Council and supported by Queen Mary University of London and University of Leeds. Academic project leads are Nicholas Ridout and Dhanveer Singh Brar. Partners are Transform and Fierce.

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