Site by Rabbithole

Transform 25 workshops programme

August 18, 2025

Now live! Discover our Transform 25 workshops programme, a series of free, artist-led workshops offering opportunities to dig deeper into our line up of powerful international performance.

From a movement workshop centred around the broom; to a lecture-performance with a focus on Black music; to a workshop combining choreography and autobiography, these three workshops offer unique insight into the practices of intrepid artists from across the globe.

Read more and book free tickets below.

Amrita Hepi with Mish Grigor, Rinse. Photo: Zan Wimberley

Rinsing: Constructing fiction from autobiography
Amrita Hepi & Bakani Pick-Up (Australia & Zimbabwe/Wales)
Mon 20 Oct, 6–8pm
Free

The body as work and destiny. What do I have to say? Could I use fiction to help it? Where does autobiography begin, enter, exit, end?

This workshop investigates the possibilities of constructing fiction from autobiographical elements and the idea of the divided self.

Performer holds three brooms on a dark stage

Eisa Jocson & Venuri Perera, Magic Maids. Courtesy of Esplanade – Theatres on the Bay, Singapore. Photo: Bernie Ng

Magic Maids: Broomology 101
Eisa Jocson & Venuri Perera (Philippines & Sri Lanka)
Thu 23 Oct, 2–5pm
Free

In this three-hour workshop, the broom is used as a central axis connecting the archetypes of the witch and the housemaid.

Facilitated by artists Eisa Jocson and Venuri Perera, the broom becomes a tool for playful transformation and somatic exploration.

Ahamefule J. Oluo looks to the audience, holding a mic

Ahamefule J. Oluo, The Things Around Us. Photo: Alex Dugan

Black Repetitions
Ahamefule J. Oluo (USA)
Fri 24 Oct, 3–4pm
Free

In this lecture-performance, Ahamefule J. Oluo weaves personal and familial narratives of race and music with live demonstrations of the constructions and technologies of sound, instrumentation, and electronic looping from their performance, The Things Around Us.

Through a hybrid artistic and educational experience, we are witness to an unexpected telling of the story of Black music and its political, social, and cultural reverberations.